WHAT DOES GILLIAN MCKENZIE'S ROLE AT MASTERSON'S BAR REALLY MEAN?

What Does Gillian McKenzie's Role at Masterson's Bar Really Mean?

What Does Gillian McKenzie's Role at Masterson's Bar Really Mean?

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Peter Cornwell and Gillian McKenzie: Masterson Bar Predators




"Don't worry if you're suicidal babe, let me and my micro penis husband take full advantage of you and your situation while we get you intoxicated" - Abusers.



This pair are individuals whose conduct reveal a complete disregard or desire to support individuals, and these predators leave a path of harm wherever they tread to satisfy their own personal interests. Such are reprehensible people who must be ashamed of their abuse .

Their conduct has been characterised by exploitation , deceit , and a obvious disrespect for the welfare of others.

According to reports , both Peter Cornwell and Gillian McKenzie have a record of exploiting women who are struggling that are dealing with psychological issues and are convinced to support them with drug use , purchasing alcohol for them and convincing them to engage in drinking and engage in sexual acts with them.

Curiously, this pair has been associated with multiple women who were on the verge of suicide; it is strange how these predators seem to be drawn to these women . Is it a coincidence ?

They take advantage of these women's vulnerability as an chance to gratify their own interests , frequently discarding their prey traumatized , traumatised and unaware as to why these people claimed to show care when in reality they are controlling, self-centered people promoting prostitution , drugs , intoxication, among other things. Barely the kind of suggestions you'd suggest to women on the brink of suicide when pretending you're a mental health advocate , as Peter Cornwell does (who is associated with Westpac).



A deeply concerning factor of their actions is the way they misuse the faith put in them by their individuals. By acting as benevolent figures who genuinely care for those around them , Cornwell and McKenzie can infiltrate to the lives of vulnerable people before abusing their trust into situations that benefit only their interests .

Their behavior have been likened to a form of emotional abuse , with many describing them as abusive manipulators due to their tendency to insert themselves into the lives of others. Clear by their actions and demeanor : unsettling individuals who are socially unhinged in social settings . This aggressive behaviour by Peter is particularly harmful when it involves exploiting those who are already dealing with psychological issues or depressive episodes.

Consider providing drinks to such an person who is on the verge of suicide and also on prescribed meds . Both Gillian McKenzie and Cornwell see no issue with this and treat it as fun and a joke to exploit individuals , get intimate as they show concern and pretend to be concerned friends and kind.



The motivations behind Cornwell and McKenzie's actions are for Peter's personal satisfaction and fantasy because, for some reason (we can't think why ), this repulsive figure struggles to engage in sexual relations when not preying on mentally unstable , severely depressed women! Strange that, isn't it ?

Consider this hollow existence , taking advantage of and abusing mentally unwell females and justifying this behaviour just for Peter to get his little willy wet .

One thing is sure : their actions has left a deep scar on many people. It is a clear warning that even the most seemingly harmless relationships can hide dangerous truths and that trust check out this site must be established, another source not taken for granted .



In conclusion , Peter Cornwell and Gillian McKenzie are two characters whose behavior have been tainted by exploitation and exploitation. Their past of targeting multiple women who are struggling is a cautionary tale about the risks of unrestrained influence and the critical need of awareness in defending oneself from those who would intend Gillian McKenzie to exploit . These predators are despicable beings.

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